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	<id>http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=On_Wings_of_Song%2FPart_One</id>
	<title>On Wings of Song/Part One - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=On_Wings_of_Song%2FPart_One"/>
	<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;action=history"/>
	<updated>2026-05-02T03:36:28Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2377&amp;oldid=prev</id>
		<title>Eb: /* the P-W lozenge */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2377&amp;oldid=prev"/>
		<updated>2026-03-29T19:08:02Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;the P-W lozenge&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:08, 29 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l151&quot; &gt;Line 151:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 151:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the P-W lozenge ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the P-W lozenge ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of prisoners having a remote-controlled bomb on or in their bodies was fairly popular in late 20th century science fiction. Often this was in the form of an explosive collar around the neck—which has an obvious narrative advantage in movies, since it's always visible and can have an ominous flashing light on it; examples include ''The Running Man'' (1987), ''Wedlock'' (1991), and ''Battlefield Earth'' (2000). Less visibly but more ickily, the bomb might be implanted inside someone's neck or head as in ''Escape from New York'' (1981).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of prisoners having a remote-controlled bomb on or in their bodies was fairly popular in late 20th century science fiction. Often this was in the form of an explosive collar around the neck—which has an obvious narrative advantage in movies, since it's always visible and can have an ominous flashing light on it; examples include ''The Running Man'' (1987), ''Wedlock'' (1991&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;), ''Battle Royale'' (2000&lt;/ins&gt;), and ''Battlefield Earth'' (2000). Less visibly but more ickily, the bomb might be implanted inside someone's neck or head as in ''Escape from New York'' (1981).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Fortress.jpg|thumb|right|300px|Christopher Lambert in ''Fortress'']] I'm not sure whether ''On Wings of Song'' is the earliest example, but I'm fairly sure that this and the movie ''[https://letterboxd.com/hob/film/fortress-1992/ Fortress]'' (1992) are the only ones where you have to ''swallow'' the bomb—and that this was the first fictional depiction of a prison where instead of the bomb being the last-ditch mechanism to prevent escape, it's the only mechanism. In keeping with 1970s/80s conservative economic ideology, the Spirit Lake prison runs on an extreme laissez-faire model with basically no staff.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Fortress.jpg|thumb|right|300px|Christopher Lambert in ''Fortress'']] I'm not sure whether ''On Wings of Song'' is the earliest example, but I'm fairly sure that this and the movie ''[https://letterboxd.com/hob/film/fortress-1992/ Fortress]'' (1992) are the only ones where you have to ''swallow'' the bomb—and that this was the first fictional depiction of a prison where instead of the bomb being the last-ditch mechanism to prevent escape, it's the only mechanism. In keeping with 1970s/80s conservative economic ideology, the Spirit Lake prison runs on an extreme laissez-faire model with basically no staff.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2376&amp;oldid=prev</id>
		<title>Eb: /* the P-W lozenge */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2376&amp;oldid=prev"/>
		<updated>2026-03-29T19:05:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;the P-W lozenge&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:05, 29 March 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l151&quot; &gt;Line 151:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 151:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the P-W lozenge ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the P-W lozenge ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of prisoners having a remote-controlled bomb on or in their bodies was fairly popular in late 20th century science fiction. Often this was in the form of an explosive collar around the neck—which has an obvious narrative advantage in movies, since it's always visible and can have an ominous flashing light on it; examples include ''The Running Man'' (1987), ''Wedlock'' (1991), and ''Battlefield Earth'' (2000). Less &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;cinematically &lt;/del&gt;but more ickily, the bomb might be implanted inside someone's neck or &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;skull&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The idea of prisoners having a remote-controlled bomb on or in their bodies was fairly popular in late 20th century science fiction. Often this was in the form of an explosive collar around the neck—which has an obvious narrative advantage in movies, since it's always visible and can have an ominous flashing light on it; examples include ''The Running Man'' (1987), ''Wedlock'' (1991), and ''Battlefield Earth'' (2000). Less &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;visibly &lt;/ins&gt;but more ickily, the bomb might be implanted inside someone's neck or &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;head as in ''Escape from New York'' (1981)&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Fortress.jpg|thumb|right|300px|Christopher Lambert in ''Fortress'']] I'm not sure whether ''On Wings of Song'' is the earliest example, but I'm fairly sure that this and the movie ''[https://letterboxd.com/hob/film/fortress-1992/ Fortress]'' (1992) are the only ones where you have to swallow the bomb—and that this was the first fictional depiction of a prison where instead of the bomb being the last-ditch mechanism to prevent escape, it's the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/del&gt;only&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/del&gt;mechanism. In keeping with 1970s/80s conservative economic ideology, the Spirit Lake prison runs on an extreme laissez-faire model with basically no staff.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Fortress.jpg|thumb|right|300px|Christopher Lambert in ''Fortress'']] I'm not sure whether ''On Wings of Song'' is the earliest example, but I'm fairly sure that this and the movie ''[https://letterboxd.com/hob/film/fortress-1992/ Fortress]'' (1992) are the only ones where you have to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;''&lt;/ins&gt;swallow&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;'' &lt;/ins&gt;the bomb—and that this was the first fictional depiction of a prison where instead of the bomb being the last-ditch mechanism to prevent escape, it's the only mechanism. In keeping with 1970s/80s conservative economic ideology, the Spirit Lake prison runs on an extreme laissez-faire model with basically no staff.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Basques in Spain, Jews in Russia, the Irish in England ... the decimation of Palestinians ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Basques in Spain, Jews in Russia, the Irish in England ... the decimation of Palestinians ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2373&amp;oldid=prev</id>
		<title>Eb: /* Beware of dogs, beware of evil workers */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2373&amp;oldid=prev"/>
		<updated>2025-07-15T05:57:43Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Beware of dogs, beware of evil workers&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:57, 15 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l187&quot; &gt;Line 187:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 187:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is an example of Disch doing something he also [[334/334/Part_III#18._The_New_American_Catholic_Bible|did]] [[334/334/Part_VI#38._Father_Charmain|twice]] in ''334'': having a character land on a supposedly random Bible verse, when it's really the author being mischievous. Here Daniel has picked one of the most confusing Biblical passages that a casual reader could've possibly found—both because of the peculiar translation (the King James version uses the word &amp;quot;concision&amp;quot; in a way that I'm not sure it was ever used anywhere else in English literature), and because the meaning is so obscure without the context (the apostle Paul is ranting against other Christian factions of his time). Some [https://biblehub.com/nasb_/philippians/3.htm other translations] are a bit clearer, but only a bit.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is an example of Disch doing something he also [[334/334/Part_III#18._The_New_American_Catholic_Bible|did]] [[334/334/Part_VI#38._Father_Charmain|twice]] in ''334'': having a character land on a supposedly random Bible verse, when it's really the author being mischievous. Here Daniel has picked one of the most confusing Biblical passages that a casual reader could've possibly found—both because of the peculiar translation (the King James version uses the word &amp;quot;concision&amp;quot; in a way that I'm not sure it was ever used anywhere else in English literature), and because the meaning is so obscure without the context (the apostle Paul is ranting against other Christian factions of his time). Some [https://biblehub.com/nasb_/philippians/3.htm other translations] are a bit clearer, but only a bit.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The specific content of the passage may not be very important, but here's my best attempt to summarize it. After some general insults about &amp;quot;dogs&amp;quot; and &amp;quot;evil workers&amp;quot;, Paul specifically complains about Christians who believe that circumcision and other traditional Jewish practices should remain important in their faith. He argues instead that &amp;quot;circumcision&amp;quot; should now be thought of as a spiritual condition, a matter of having the right faith—as the people in his own faction do. But as sort of a hedge and/or brag, he adds that if traditional circumcision is so important, i.e. if you really insist on having &amp;quot;confidence in the flesh&amp;quot;, then he has that too since he was physically circumcised—and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;that maybe it should even count extra for him&lt;/del&gt;, since he used to be a very traditional Pharisee.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The specific content of the passage may not be very important, but here's my best attempt to summarize it. After some general insults about &amp;quot;dogs&amp;quot; and &amp;quot;evil workers&amp;quot;, Paul specifically complains about Christians who believe that circumcision and other traditional Jewish practices should remain important in their faith. He argues instead that &amp;quot;circumcision&amp;quot; should now be thought of as a spiritual condition, a matter of having the right faith—as the people in his own faction do. But as sort of a hedge and/or brag, he adds that if traditional circumcision is so important, i.e. if you really insist on having &amp;quot;confidence in the flesh&amp;quot;, then he has that too since he was physically circumcised—and, since he used to be a very traditional Pharisee&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, maybe it should even count extra for him&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the windows were all sealed tight ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the windows were all sealed tight ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2372&amp;oldid=prev</id>
		<title>Eb: /* bowdlerized editions of Frankenstein and The War of the Worlds */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2372&amp;oldid=prev"/>
		<updated>2025-07-15T05:48:16Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;bowdlerized editions of Frankenstein and The War of the Worlds&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:48, 15 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l47&quot; &gt;Line 47:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 47:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== bowdlerized editions of ''Frankenstein'' and ''The War of the Worlds'' ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== bowdlerized editions of ''Frankenstein'' and ''The War of the Worlds'' ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Expurgation|Bowdlerization}} refers generally to creating censored versions of books or other art. Fantasy literature has always been a common target of censorship. ''Frankenstein'' is an unusual case in that the best-known version of the novel, the 1831 edition, contained changes by the author that some have described as self-censorship to appease Victorian sensibilities (although the differences between the 1818 and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1838 &lt;/del&gt;editions are more complex)—but any version of ''Frankenstein'' would be problematic for fundamentalist Christians due to its basic premise.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Expurgation|Bowdlerization}} refers generally to creating censored versions of books or other art. Fantasy literature has always been a common target of censorship. ''Frankenstein'' is an unusual case in that the best-known version of the novel, the 1831 edition, contained changes by the author that some have described as self-censorship to appease Victorian sensibilities (although the differences between the 1818 and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;1831 &lt;/ins&gt;editions are more complex)—but any version of ''Frankenstein'' would be problematic for fundamentalist Christians due to its basic premise.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for why ''The War of the Worlds'', commonly thought of as a thrilling alien invasion adventure, would offend religious conservatives: besides H.G. Wells being famously an atheist, the novel's narrator repeatedly brings up evolution.&amp;lt;ref&amp;gt;{{cite book|author=McLean, Steven|date=2009|title=The Early Fiction of H.G. Wells: Fantasies of Science|url=https://link.springer.com/book/10.1057/9780230236639|publisher=Palgrave Macmillan|isbn=978-0-230-53562-6}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As for why ''The War of the Worlds'', commonly thought of as a thrilling alien invasion adventure, would offend religious conservatives: besides H.G. Wells being famously an atheist, the novel's narrator repeatedly brings up evolution.&amp;lt;ref&amp;gt;{{cite book|author=McLean, Steven|date=2009|title=The Early Fiction of H.G. Wells: Fantasies of Science|url=https://link.springer.com/book/10.1057/9780230236639|publisher=Palgrave Macmillan|isbn=978-0-230-53562-6}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2356&amp;oldid=prev</id>
		<title>Eb: /* undergoders .... they practically ran Iowa */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2356&amp;oldid=prev"/>
		<updated>2025-02-03T00:05:38Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;undergoders .... they practically ran Iowa&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:05, 3 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l71&quot; &gt;Line 71:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 71:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The reason that the far-right evangelicals who are so prominent in Daniel's world are called &amp;quot;undergoders&amp;quot; is never spelled out, but to someone of Disch's generation it would clearly refer to the controversy over the wording of the {{wp|Pledge of Allegiance}}. &amp;quot;One nation&amp;quot; was changed to &amp;quot;One nation, under God&amp;quot; in 1954, as part of a Cold War trend of emphasizing American piety in contrast to the Soviets. This was clearly at odds with separation of church and state, and even though no legal challenge was made on that basis until {{wp|Elk Grove Unified School District v. Newdow|2000}}, it was a common focus of arguments about the overlap between religion and political conservatism—and a convenient phrase for the religious right to rally around.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The reason that the far-right evangelicals who are so prominent in Daniel's world are called &amp;quot;undergoders&amp;quot; is never spelled out, but to someone of Disch's generation it would clearly refer to the controversy over the wording of the {{wp|Pledge of Allegiance}}. &amp;quot;One nation&amp;quot; was changed to &amp;quot;One nation, under God&amp;quot; in 1954, as part of a Cold War trend of emphasizing American piety in contrast to the Soviets. This was clearly at odds with separation of church and state, and even though no legal challenge was made on that basis until {{wp|Elk Grove Unified School District v. Newdow|2000}}, it was a common focus of arguments about the overlap between religion and political conservatism—and a convenient phrase for the religious right to rally around.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Woven throughout this chapter, there are references to state/federal conflicts, Supreme Court decisions, etc., to establish what kind of dystopia Daniel is living in: not a nationwide theocracy like ''The Handmaid's Tale'', but something more contiguous with US history so far. Most of the repression is happening at the state level, and wasn't established by a coup, but by the same processes as right-wing politics today: a coalition of interests including sincere religious zealots, corrupt politicians, and businessmen who have no real ideology but are comfortable in an authoritarian setting. The undergoders don't make up a majority in Iowa, and haven't &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;really forced &lt;/del&gt;everyone to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;live like they do &lt;/del&gt;(&amp;quot;it was impossible to pretend to be an undergoder since it involved giving up almost anything you might enjoy&amp;quot;)—but they're &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;over-represented &lt;/del&gt;in the agricultural industry where the state's main economic power is.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Woven throughout this chapter, there are references to state/federal conflicts, Supreme Court decisions, etc., to establish what kind of dystopia Daniel is living in: not a nationwide theocracy like ''The Handmaid's Tale'', but something more contiguous with US history so far. Most of the repression is happening at the state level, and wasn't established by a coup, but by the same processes as right-wing politics today: a coalition of interests including sincere religious zealots, corrupt politicians, and businessmen who have no real ideology but are comfortable in an authoritarian setting. The undergoders don't make up a majority in Iowa, and haven't &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;required &lt;/ins&gt;everyone to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;adopt their own very strict lifestyle &lt;/ins&gt;(&amp;quot;it was impossible to pretend to be an undergoder since it involved giving up almost anything you might enjoy&amp;quot;)—but &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;they have an outsize influence because &lt;/ins&gt;they're &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;so prominent &lt;/ins&gt;in the agricultural industry&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;where the state's main economic power is.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel doesn't say exactly which states are dominated by undergoders, just that it's most of &amp;quot;the Farm Belt&amp;quot;, which could refer to any subset of Iowa, Illinois, Indiana, Kansas, Michigan, Minnesota, Missouri, Nebraska, and Ohio. In chapter 3 we see that at least some of Iowa's neighbor states, like Minnesota, have managed not to go this way.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The novel doesn't say exactly which states are dominated by undergoders, just that it's most of &amp;quot;the Farm Belt&amp;quot;, which could refer to any subset of Iowa, Illinois, Indiana, Kansas, Michigan, Minnesota, Missouri, Nebraska, and Ohio. In chapter 3 we see that at least some of Iowa's neighbor states, like Minnesota, have managed not to go this way.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2355&amp;oldid=prev</id>
		<title>Eb: /* the windows were all sealed tight */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2355&amp;oldid=prev"/>
		<updated>2025-02-03T00:00:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;the windows were all sealed tight&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:00, 3 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l191&quot; &gt;Line 191:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 191:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the windows were all sealed tight ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the windows were all sealed tight ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here we get one more bit of exposition about the rules of flying: &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;fairies&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;can travel effortlessly by willpower, but they can't go through solid objects.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Here we get one more bit of exposition about the rules of flying: fairies can travel effortlessly by willpower, but they can't go through solid objects.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== The faster I let myself spin the more exciting ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== The faster I let myself spin the more exciting ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2354&amp;oldid=prev</id>
		<title>Eb: /* fans whirling everywhere you went */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2354&amp;oldid=prev"/>
		<updated>2025-02-02T23:59:40Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;fans whirling everywhere you went&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:59, 2 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot; &gt;Line 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== fans whirling everywhere you went ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== fans whirling everywhere you went ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The way that fans and other spinning objects can harm &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot;&lt;/del&gt;fairies&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;quot; &lt;/del&gt;is described by Barbara Steiner [[#The faster I let myself spin the more exciting|later in chapter 4]].&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The way that fans and other spinning objects can harm fairies is described by Barbara Steiner [[#The faster I let myself spin the more exciting|later in chapter 4]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Chapter 2 ==&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Chapter 2 ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2353&amp;oldid=prev</id>
		<title>Eb: /* She would sit watching him ... people shouldn't let fairies into their houses */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2353&amp;oldid=prev"/>
		<updated>2025-02-02T23:58:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;She would sit watching him ... people shouldn&amp;#039;t let fairies into their houses&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:58, 2 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in flying, so this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the 19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;invisibly &lt;/del&gt;observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in flying, so this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the 19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2352&amp;oldid=prev</id>
		<title>Eb: /* She would sit watching him ... people shouldn't let fairies into their houses */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2352&amp;oldid=prev"/>
		<updated>2025-02-02T23:57:05Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;She would sit watching him ... people shouldn&amp;#039;t let fairies into their houses&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:57, 2 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in flying, so this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;late &lt;/del&gt;19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and invisibly observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in flying, so this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the 19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and invisibly observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2351&amp;oldid=prev</id>
		<title>Eb: /* She would sit watching him ... people shouldn't let fairies into their houses */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_One&amp;diff=2351&amp;oldid=prev"/>
		<updated>2025-02-02T23:56:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;She would sit watching him ... people shouldn&amp;#039;t let fairies into their houses&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:56, 2 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 17:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Not coincidentally, &amp;quot;fairy&amp;quot; also has a long history as an anti-gay slur in the US and England—semi-archaic today, but still very recognizable in the 1970s and 80s. Of the many equivalent slurs in other languages, several refer to butterflies, birds, etc., consistent with the idea that being flighty and/or colorful is effeminate.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;flying—it's sketched out a bit a time through context—so &lt;/del&gt;this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the late 19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and invisibly observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's no particular passage in the book that summarizes exactly what's involved in &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;flying, so &lt;/ins&gt;this note is as good a place as any. Disch gives no details about the &amp;quot;flight apparatus&amp;quot; technology except for there being a wire that touches the head. It's important to the premise that both the technology and the mental state achieved by singing are necessary ingredients; there's never a hint of anyone being able to do it in another way, as people have claimed to do in the past via meditation or esoteric studies. The general idea of {{wp|astral projection}} has a long history, but what's happening here seems closest to a more specific idea that only became popular in the late 19th and 20th centuries, and shows up a lot in 20th century science fiction: {{wp|remote viewing}}, that is, the ability to roam around as a disembodied point of view and invisibly observe things in the actual world. In ''On Wings of Song'', fairies don't travel to a separate reality, and they don't perceive any supernatural beings (except other fairies like themselves), but otherwise there are only a few limits to where they can go and what they can see. So there are at least three reasons for religious conservatives to be against flying: it's a transcendent experience that doesn't correspond to their own religion, it's against their desire to control other people's access to information in general, and it's a threat to their own personal privacy.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a collect call from New York ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
</feed>