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	<id>http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=On_Wings_of_Song%2FPart_Two</id>
	<title>On Wings of Song/Part Two - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.errorbar.net/nitsw/index.php?action=history&amp;feed=atom&amp;title=On_Wings_of_Song%2FPart_Two"/>
	<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;action=history"/>
	<updated>2026-11-11T19:53:43Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.39.5</generator>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=2374&amp;oldid=prev</id>
		<title>Eb: /* Most of the village's former residents lived in Worry now */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=2374&amp;oldid=prev"/>
		<updated>2025-07-15T06:02:17Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Most of the village&amp;#039;s former residents lived in Worry now&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:02, 15 July 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l61&quot;&gt;Line 61:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 61:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Most of the village's former residents lived in Worry now ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Most of the village's former residents lived in Worry now ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Worry seems to be a cross between several kinds of historical communities: a feudal estate, where Grandison Whiting is in effect the local government for the 500 tenants whose land he owns&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; a walled city&lt;/del&gt;; and the company towns that were common in early 20th century industry.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Worry seems to be a cross between several kinds of historical communities: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a walled city; &lt;/ins&gt;a feudal estate, where Grandison Whiting is in effect the local government for the 500 tenants whose land he owns; and the company towns that were common in early 20th century industry.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=2227&amp;oldid=prev</id>
		<title>Eb at 23:06, 25 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=2227&amp;oldid=prev"/>
		<updated>2025-01-25T23:06:48Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:06, 25 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name of Grandison Whiting's neo-feudal estate is never explained, and could be assumed to refer generally to the anxieties that accompany money and power.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name of Grandison Whiting's neo-feudal estate is never explained, and could be assumed to refer generally to the anxieties that accompany money and power.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However... ''if'' it's a more specific joke or reference that Disch just didn't feel like unpacking (and I have no reason to think so, except that it would've been in character), then one possible candidate would be the saying &amp;quot;Worry is interest paid on trouble before it falls due,&amp;quot; commonly misattributed to {{wp|William Ralph Inge}}. Even though Inge wasn't the original author&amp;lt;ref&amp;gt;{{cite article|author=Popik, Barry|title=Worry is interest paid on trouble before it falls due|url=https://barrypopik.com/blog/worry_is_interest_paid_on_trouble_before_it_falls_due|publication=The Big Apple|date=July 4, 2012|accessed=January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4&lt;/del&gt;, 2025}} Garson O'Toole at ''[https://quoteinvestigator.com/2024/12/20/worry-debt/ Quote Investigator]'' adds more details; the misattribution was spread by ''Reader's Digest''.&amp;lt;/ref&amp;gt;, Disch wouldn't necessarily have known that... and Inge would fit with Whiting's disdain for democracy, praise of inequality, and Anglophilia. The saying itself is normally understood to mean something like &amp;quot;don't bother worrying about things that may never happen&amp;quot;—but a cynical businessman like Whiting assumes trouble ''will'' fall due, and could regard worry as a prudent expense in advance. This is all admittedly a stretch.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However... ''if'' it's a more specific joke or reference that Disch just didn't feel like unpacking (and I have no reason to think so, except that it would've been in character), then one possible candidate would be the saying &amp;quot;Worry is interest paid on trouble before it falls due,&amp;quot; commonly misattributed to {{wp|William Ralph Inge}}. Even though Inge wasn't the original author&amp;lt;ref&amp;gt;{{cite article|author=Popik, Barry|title=Worry is interest paid on trouble before it falls due|url=https://barrypopik.com/blog/worry_is_interest_paid_on_trouble_before_it_falls_due|publication=The Big Apple|date=July 4, 2012|accessed=January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25&lt;/ins&gt;, 2025}} Garson O'Toole at ''[https://quoteinvestigator.com/2024/12/20/worry-debt/ Quote Investigator]'' adds more details; the misattribution was spread by ''Reader's Digest''.&amp;lt;/ref&amp;gt;, Disch wouldn't necessarily have known that... and Inge would fit with Whiting's disdain for democracy, praise of inequality, and Anglophilia. The saying itself is normally understood to mean something like &amp;quot;don't bother worrying about things that may never happen&amp;quot;—but a cynical businessman like Whiting assumes trouble ''will'' fall due, and could regard worry as a prudent expense in advance. This is all admittedly a stretch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== What Eisenstein had done for Stalin, what Riefenstahl had done for Hitler ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== What Eisenstein had done for Stalin, what Riefenstahl had done for Hitler ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's a double irony here: not only Boadicea is comparing her beloved father to Stalin and Hitler, but her metaphor doesn't exactly work even for someone who thinks that's OK. {{wp|Sergei Eisenstein|Eisenstein}} had a complicated relationship with the Soviet government, and when he was commissioned to direct the propaganda film ''October: Ten Days that Shook the World'', he ended up having to drastically re-edit the film to keep Stalin happy—after which the government called his film a failure anyway.&amp;lt;ref&amp;gt;{{cite article|author=Landler, Edward|title='October' Surprise: The Revolution Will be Edited|url=https://cinemontage.org/october-surprisethe-revolution-will-edited/|publication=CineMontage|date=December 8, 2017|accessed=January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4&lt;/del&gt;, 2025}}&amp;lt;/ref&amp;gt; {{wp|Triumph of the Will|Riefenstahl}} had much better luck in terms of Hitler's approval of her worshipful film, but ''Triumph of the Will'' was not widely seen in Germany after its original theatrical run, and clips from it were often used outside Germany in ''anti''-Nazi propaganda.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There's a double irony here: not only Boadicea is comparing her beloved father to Stalin and Hitler, but her metaphor doesn't exactly work even for someone who thinks that's OK. {{wp|Sergei Eisenstein|Eisenstein}} had a complicated relationship with the Soviet government, and when he was commissioned to direct the propaganda film ''October: Ten Days that Shook the World'', he ended up having to drastically re-edit the film to keep Stalin happy—after which the government called his film a failure anyway.&amp;lt;ref&amp;gt;{{cite article|author=Landler, Edward|title='October' Surprise: The Revolution Will be Edited|url=https://cinemontage.org/october-surprisethe-revolution-will-edited/|publication=CineMontage|date=December 8, 2017|accessed=January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25&lt;/ins&gt;, 2025}}&amp;lt;/ref&amp;gt; {{wp|Triumph of the Will|Riefenstahl}} had much better luck in terms of Hitler's approval of her worshipful film, but ''Triumph of the Will'' was not widely seen in Germany after its original theatrical run, and clips from it were often used outside Germany in ''anti''-Nazi propaganda.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Iowa Council of Churches ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Iowa Council of Churches ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot;&gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Elmore, Minnesota}} is a very small town (slightly larger in 1979, but not much) that is right up against the state border to Iowa—about 30 miles from Disch's childhood home of {{wp|Fairmont, Minnesota|Fairmont}}.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Elmore, Minnesota}} is a very small town (slightly larger in 1979, but not much) that is right up against the state border to Iowa—about 30 miles from Disch's childhood home of {{wp|Fairmont, Minnesota|Fairmont}}.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:OWOS-rink-club.jpg|thumb|right|300px|The Rush in Cottage Grove, MN, circa 2007—example of a former roller rink that went through many changes&amp;lt;ref&amp;gt;{{cite article|author=Shaw, Bob|date=February 6, 2015|title=‘The Rush’ is over: Cottage Grove to demolish former nightclub|url=https://www.twincities.com/2015/02/16/the-rush-is-over-cottage-grove-to-demolish-former-nightclub/|publication=Twin Cities Pioneer Press}}&amp;lt;/ref&amp;gt;]] The Roadhouse here is described as having once been a roller rink, &amp;quot;long ago&amp;quot;, which makes it sound like a reference to a real place Disch had seen; if so, it wasn't in the Elmore area, which as far as I can tell never had enough population to keep such a business active. But roller skating went through multiple periods of great popularity in the Midwest—not only in the disco era, but earlier in the 1880s—and it's natural for any building with a large central space to be repurposed for various uses over the years.&amp;lt;ref&amp;gt;{{cite article|author=Millett, Larry|title=One of the quirkiest buildings in downtown Minneapolis began as a roller rink|url=https://www.startribune.com/one-of-the-quirkiest-buildings-in-downtown-minneapolis-began-as-a-roller-rink/572992342|publication=The Minnesota Star-Tribune|date=November 7, 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite article|title=Rink History: Minnesota|url=https://rink-history.weebly.com/minnesota.html|publication=International Roller Skating Rink History Foundation|accessed=January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;19&lt;/del&gt;, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:OWOS-rink-club.jpg|thumb|right|300px|The Rush in Cottage Grove, MN, circa 2007—example of a former roller rink that went through many changes&amp;lt;ref&amp;gt;{{cite article|author=Shaw, Bob|date=February 6, 2015|title=‘The Rush’ is over: Cottage Grove to demolish former nightclub|url=https://www.twincities.com/2015/02/16/the-rush-is-over-cottage-grove-to-demolish-former-nightclub/|publication=Twin Cities Pioneer Press}}&amp;lt;/ref&amp;gt;]] The Roadhouse here is described as having once been a roller rink, &amp;quot;long ago&amp;quot;, which makes it sound like a reference to a real place Disch had seen; if so, it wasn't in the Elmore area, which as far as I can tell never had enough population to keep such a business active. But roller skating went through multiple periods of great popularity in the Midwest—not only in the disco era, but earlier in the 1880s—and it's natural for any building with a large central space to be repurposed for various uses over the years.&amp;lt;ref&amp;gt;{{cite article|author=Millett, Larry|title=One of the quirkiest buildings in downtown Minneapolis began as a roller rink|url=https://www.startribune.com/one-of-the-quirkiest-buildings-in-downtown-minneapolis-began-as-a-roller-rink/572992342|publication=The Minnesota Star-Tribune|date=November 7, 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite article|title=Rink History: Minnesota|url=https://rink-history.weebly.com/minnesota.html|publication=International Roller Skating Rink History Foundation|accessed=January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25&lt;/ins&gt;, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a new polka had started up ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== a new polka had started up ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l73&quot;&gt;Line 73:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 73:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== we began, some twenty years ago, to make the prisons ... less congenial places ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== we began, some twenty years ago, to make the prisons ... less congenial places ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably not even Grandison Whiting really believes that they were ever ''congenial'', but the history of prisons in Iowa did include a series of incremental reforms over the course of the 20th century. Two that might have particularly irritated Whiting: in 1918 Iowa outlawed the practice of leasing prisoners as labor to private industry, and in the 1940s counseling programs were introduced.&amp;lt;ref&amp;gt;{{cite article|author=McKay, Joyce|title=Reforming Prisoners and Prisons: Iowa's State Prisons—The First Hundred Years|url=https://pubs.lib.uiowa.edu/annals-of-iowa/article/4324/galley/113206/view/|publication=Annals of Iowa|date=2001|pub-date=Spring 2001|accessed=January &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;4&lt;/del&gt;, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably not even Grandison Whiting really believes that they were ever ''congenial'', but the history of prisons in Iowa did include a series of incremental reforms over the course of the 20th century. Two that might have particularly irritated Whiting: in 1918 Iowa outlawed the practice of leasing prisoners as labor to private industry, and in the 1940s counseling programs were introduced.&amp;lt;ref&amp;gt;{{cite article|author=McKay, Joyce|title=Reforming Prisoners and Prisons: Iowa's State Prisons—The First Hundred Years|url=https://pubs.lib.uiowa.edu/annals-of-iowa/article/4324/galley/113206/view/|publication=Annals of Iowa|date=2001|pub-date=Spring 2001|accessed=January &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;25&lt;/ins&gt;, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the novel is deliberately vague about when it's set, here's no indication as to whether &amp;quot;twenty years ago&amp;quot; is in our present, past, or future. In 1979, the incarceration rate had already begun to rise due to the War on Drugs but was nowhere near today's level, and privatized prisons did not yet exist.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Since the novel is deliberately vague about when it's set, here's no indication as to whether &amp;quot;twenty years ago&amp;quot; is in our present, past, or future. In 1979, the incarceration rate had already begun to rise due to the War on Drugs but was nowhere near today's level, and privatized prisons did not yet exist.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1923&amp;oldid=prev</id>
		<title>Eb at 18:07, 24 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1923&amp;oldid=prev"/>
		<updated>2025-01-24T18:07:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:07, 24 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot;&gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name of Grandison Whiting's neo-feudal estate is never explained, and could be assumed to refer generally to the anxieties that accompany money and power.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The name of Grandison Whiting's neo-feudal estate is never explained, and could be assumed to refer generally to the anxieties that accompany money and power.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However... ''if'' it's a more specific joke or reference that Disch just didn't feel like unpacking (and I have no reason to think so, except that it would've been in character), then one possible candidate would be the saying &amp;quot;Worry is interest paid on trouble before it falls due,&amp;quot; commonly misattributed to {{wp|William Ralph Inge}}. Even though Inge wasn't the original author&amp;lt;ref&amp;gt;{{cite article|author=Popik, Barry|title=Worry is interest paid on trouble before it falls due|url=https://barrypopik.com/blog/worry_is_interest_paid_on_trouble_before_it_falls_due|publication=The Big Apple|date=July 4, 2012|accessed=January 4, 2025}} Garson O'Toole at ''[https://quoteinvestigator.com/2024/12/20/worry-debt/ Quote Investigator]'' adds more details; the misattribution was spread by ''Reader's Digest''.&amp;lt;/ref&amp;gt;, Disch wouldn't necessarily have known that... and Inge would fit &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;very well not just &lt;/del&gt;with Whiting's &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Anglophilia&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;but also with his &lt;/del&gt;praise of inequality and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;disdain for democracy&lt;/del&gt;. This is admittedly a stretch.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;However... ''if'' it's a more specific joke or reference that Disch just didn't feel like unpacking (and I have no reason to think so, except that it would've been in character), then one possible candidate would be the saying &amp;quot;Worry is interest paid on trouble before it falls due,&amp;quot; commonly misattributed to {{wp|William Ralph Inge}}. Even though Inge wasn't the original author&amp;lt;ref&amp;gt;{{cite article|author=Popik, Barry|title=Worry is interest paid on trouble before it falls due|url=https://barrypopik.com/blog/worry_is_interest_paid_on_trouble_before_it_falls_due|publication=The Big Apple|date=July 4, 2012|accessed=January 4, 2025}} Garson O'Toole at ''[https://quoteinvestigator.com/2024/12/20/worry-debt/ Quote Investigator]'' adds more details; the misattribution was spread by ''Reader's Digest''.&amp;lt;/ref&amp;gt;, Disch wouldn't necessarily have known that... and Inge would fit with Whiting's &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;disdain for democracy&lt;/ins&gt;, praise of inequality&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, and Anglophilia. The saying itself is normally understood to mean something like &amp;quot;don't bother worrying about things that may never happen&amp;quot;—but a cynical businessman like Whiting assumes trouble ''will'' fall due, &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;could regard worry as a prudent expense in advance&lt;/ins&gt;. This is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;all &lt;/ins&gt;admittedly a stretch.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== What Eisenstein had done for Stalin, what Riefenstahl had done for Hitler ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== What Eisenstein had done for Stalin, what Riefenstahl had done for Hitler ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1906&amp;oldid=prev</id>
		<title>Eb: /* The Elmore Roller-Rink Roadhouse */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1906&amp;oldid=prev"/>
		<updated>2025-01-23T20:45:29Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;The Elmore Roller-Rink Roadhouse&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:45, 23 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot;&gt;Line 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== The Elmore Roller-Rink Roadhouse ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== The Elmore Roller-Rink Roadhouse ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Elmore, Minnesota}} is a very small town (slightly larger in 1979, but not much) that is right up against the state border to &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Iowa&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{wp|Elmore, Minnesota}} is a very small town (slightly larger in 1979, but not much) that is right up against the state border to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Iowa—about 30 miles from Disch's childhood home of {{wp|Fairmont, Minnesota|Fairmont}}&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:OWOS-rink-club.jpg|thumb|right|300px|The Rush in Cottage Grove, MN, circa 2007—example of a former roller rink that went through many changes&amp;lt;ref&amp;gt;{{cite article|author=Shaw, Bob|date=February 6, 2015|title=‘The Rush’ is over: Cottage Grove to demolish former nightclub|url=https://www.twincities.com/2015/02/16/the-rush-is-over-cottage-grove-to-demolish-former-nightclub/|publication=Twin Cities Pioneer Press}}&amp;lt;/ref&amp;gt;]] The Roadhouse here is described as having once been a roller rink, &amp;quot;long ago&amp;quot;, which makes it sound like a reference to a real place Disch had seen; if so, it wasn't in the Elmore area, which as far as I can tell never had enough population to keep such a business active. But roller skating went through multiple periods of great popularity in the Midwest—not only in the disco era, but earlier in the 1880s—and it's natural for any building with a large central space to be repurposed for various uses over the years.&amp;lt;ref&amp;gt;{{cite article|author=Millett, Larry|title=One of the quirkiest buildings in downtown Minneapolis began as a roller rink|url=https://www.startribune.com/one-of-the-quirkiest-buildings-in-downtown-minneapolis-began-as-a-roller-rink/572992342|publication=The Minnesota Star-Tribune|date=November 7, 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite article|title=Rink History: Minnesota|url=https://rink-history.weebly.com/minnesota.html|publication=International Roller Skating Rink History Foundation|accessed=January 19, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:OWOS-rink-club.jpg|thumb|right|300px|The Rush in Cottage Grove, MN, circa 2007—example of a former roller rink that went through many changes&amp;lt;ref&amp;gt;{{cite article|author=Shaw, Bob|date=February 6, 2015|title=‘The Rush’ is over: Cottage Grove to demolish former nightclub|url=https://www.twincities.com/2015/02/16/the-rush-is-over-cottage-grove-to-demolish-former-nightclub/|publication=Twin Cities Pioneer Press}}&amp;lt;/ref&amp;gt;]] The Roadhouse here is described as having once been a roller rink, &amp;quot;long ago&amp;quot;, which makes it sound like a reference to a real place Disch had seen; if so, it wasn't in the Elmore area, which as far as I can tell never had enough population to keep such a business active. But roller skating went through multiple periods of great popularity in the Midwest—not only in the disco era, but earlier in the 1880s—and it's natural for any building with a large central space to be repurposed for various uses over the years.&amp;lt;ref&amp;gt;{{cite article|author=Millett, Larry|title=One of the quirkiest buildings in downtown Minneapolis began as a roller rink|url=https://www.startribune.com/one-of-the-quirkiest-buildings-in-downtown-minneapolis-began-as-a-roller-rink/572992342|publication=The Minnesota Star-Tribune|date=November 7, 2020}}&amp;lt;/ref&amp;gt;&amp;lt;ref&amp;gt;{{cite article|title=Rink History: Minnesota|url=https://rink-history.weebly.com/minnesota.html|publication=International Roller Skating Rink History Foundation|accessed=January 19, 2025}}&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1905&amp;oldid=prev</id>
		<title>Eb at 20:44, 23 January 2025</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1905&amp;oldid=prev"/>
		<updated>2025-01-23T20:44:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:44, 23 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;= UNDER CONSTRUCTION! =&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{#addbodyclass: tiled-toc}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SummaryCollapsed |&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{SummaryCollapsed |&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1844&amp;oldid=prev</id>
		<title>Eb: /* in the airline's own magazine, an article about trout fishing written by one of the country's top novelists */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1844&amp;oldid=prev"/>
		<updated>2025-01-20T23:22:31Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;in the airline&amp;#039;s own magazine, an article about trout fishing written by one of the country&amp;#039;s top novelists&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:22, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l105&quot;&gt;Line 105:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 105:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== in the airline's own magazine, an article about trout fishing written by one of the country's top novelists ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== in the airline's own magazine, an article about trout fishing written by one of the country's top novelists ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This may be a joke referencing Richard Brautigan's ''{{wp|Trout Fishing in America}}'' (1967), a highly digressive novel that is not especially about trout fishing&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Brautigan wouldn't by any means be considered a &amp;quot;top novelist&amp;quot; in Iowa, and his work is singularly unsuited to an airline magazine&lt;/del&gt;.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This may be a joke referencing Richard Brautigan's ''{{wp|Trout Fishing in America}}'' (1967), a highly digressive &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;experimental &lt;/ins&gt;novel that is not especially about trout fishing.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== He had chosen Mahler's ''Ich bin der Welt abhanden gekommen'' ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== He had chosen Mahler's ''Ich bin der Welt abhanden gekommen'' ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1839&amp;oldid=prev</id>
		<title>Eb: /* interpretations of a Duparc song */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1839&amp;oldid=prev"/>
		<updated>2025-01-20T20:36:25Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;interpretations of a Duparc song&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
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				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:36, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l81&quot;&gt;Line 81:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 81:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== interpretations of a Duparc song ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== interpretations of a Duparc song ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;William Aggeler's [https://fleursdumal.org/poem/148 &lt;/del&gt;translation&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;] &lt;/del&gt;renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;One English &lt;/ins&gt;translation renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&amp;quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;ref&amp;gt;{{cite book|author=Baudelaire, Charles|translator=William Aggeler|date=1857|title=The Flowers of Evil|url=https://fleursdumal.org/poem/148|location=Fresno|publisher=Academy Library Guild|pub-date=1954}}&amp;lt;/ref&amp;gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the great castrato Ernesto Rey ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the great castrato Ernesto Rey ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1838&amp;oldid=prev</id>
		<title>Eb: /* interpretations of a Duparc song */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1838&amp;oldid=prev"/>
		<updated>2025-01-20T20:31:37Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;interpretations of a Duparc song&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:31, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l82&quot;&gt;Line 82:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 82:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). William Aggeler's [https://fleursdumal.org/poem/148 translation] renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). William Aggeler's [https://fleursdumal.org/poem/148 translation] renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;*** MUSIC LINK? ***&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the great castrato Ernesto Rey ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== the great castrato Ernesto Rey ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1832&amp;oldid=prev</id>
		<title>Eb: /* interpretations of a Duparc song */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1832&amp;oldid=prev"/>
		<updated>2025-01-20T06:14:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;interpretations of a Duparc song&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 00:14, 20 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l81&quot;&gt;Line 81:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 81:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== interpretations of a Duparc song ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== interpretations of a Duparc song ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). William Aggeler's [https://fleursdumal.org/poem/148 translation] renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;quot;&lt;/del&gt;&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Probably {{wp|Henri Duparc (composer)|Henri Duparc}} (1848-1933), who set texts by several Romantic poets to music. One of those was Baudelaire's &amp;quot;L'invitation au voyage&amp;quot; from ''Les fleurs du mal'', a text that is especially appropriate to ''On Wings of Song'' (and also the source of the phrase &amp;quot;luxe, calme et volupté&amp;quot;, which Disch referenced in ''[[The Businessman#Chapter 27|The Businessman]]''). William Aggeler's [https://fleursdumal.org/poem/148 translation] renders part of it as: &amp;quot;Think of the rapture of living together there .... The misty sunlight of those cloudy skies .... There all is order and beauty, luxury, peace and pleasure.&amp;quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*** MUSIC LINK? ***&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;*** MUSIC LINK? ***&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1829&amp;oldid=prev</id>
		<title>Eb: /* His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio */</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/nitsw/index.php?title=On_Wings_of_Song/Part_Two&amp;diff=1829&amp;oldid=prev"/>
		<updated>2025-01-20T02:49:44Z</updated>

		<summary type="html">&lt;p&gt;&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:49, 19 January 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l65&quot;&gt;Line 65:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 65:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== His nose and forehead ... straight out of the most arrogantly lovely Ghirlandaio ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Pala degli innocenti, ghirlandaio, autoritratto.jpg|thumb|right|300px|Ghirlandaio, probably, in a detail from ''Adoration of the Magi'' (1488)]] This could be any of the four Ghirlandaio brothers who were Renaissance painters, but probably the most successful one, {{wp|Domenico Ghirlandaio}}. His figures were often portraits of aristocratic patrons placed in roles of religious legend&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. This is a somewhat odd choice—handsome young men &lt;/del&gt;were not &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;a very frequent subject in Ghirlandaio's work—but Boadicea is seventeen and may have had a limited view of art history. Or she might be thinking of Ghirlandaio's &lt;/del&gt;own face&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, as he painted it &lt;/del&gt;on background characters in a few paintings.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[File:Pala degli innocenti, ghirlandaio, autoritratto.jpg|thumb|right|300px|Ghirlandaio, probably, in a detail from ''Adoration of the Magi'' (1488)]] This could be any of the four Ghirlandaio brothers who were Renaissance painters, but probably the most successful one, {{wp|Domenico Ghirlandaio}}. His figures were often portraits of aristocratic patrons placed in roles of religious legend&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, most of whom &lt;/ins&gt;were not &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;handsome young men—but the artist also painted his &lt;/ins&gt;own face on background characters in a few paintings&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, so Boadicea might be thinking that Daniel looks like Ghirlandaio himself&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br/&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== degrees of bon ton ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== degrees of bon ton ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eb</name></author>
	</entry>
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