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	<id>http://www.errorbar.net/rw/w/index.php?action=history&amp;feed=atom&amp;title=Chapter_15</id>
	<title>Chapter 15 - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.errorbar.net/rw/w/index.php?action=history&amp;feed=atom&amp;title=Chapter_15"/>
	<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;action=history"/>
	<updated>2026-06-22T17:40:22Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=719&amp;oldid=prev</id>
		<title>Eli Bishop at 05:29, 10 August 2017</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=719&amp;oldid=prev"/>
		<updated>2017-08-10T05:29:36Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:29, 10 August 2017&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot; &gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;lt;/span&amp;gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;lt;/span&amp;gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{ChapterNav |prev=14 |next=16}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l22&quot; &gt;Line 22:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 24:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_167_36}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_167_36}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_168_16}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_168_16}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;----&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{ChapterNav |prev=14 |next=16}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=656&amp;oldid=prev</id>
		<title>Eli Bishop: Undo revision 655 by Eli Bishop (talk)</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=656&amp;oldid=prev"/>
		<updated>2013-11-25T08:13:22Z</updated>

		<summary type="html">&lt;p&gt;Undo revision 655 by &lt;a href=&quot;/rw/Special:Contributions/Eli_Bishop&quot; title=&quot;Special:Contributions/Eli Bishop&quot;&gt;Eli Bishop&lt;/a&gt; (&lt;a href=&quot;/rw/w/index.php?title=User_talk:Eli_Bishop&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;User talk:Eli Bishop (page does not exist)&quot;&gt;talk&lt;/a&gt;)&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:13, 25 November 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;&lt;/ins&gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/span&amp;gt;&lt;/ins&gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=655&amp;oldid=prev</id>
		<title>Eli Bishop at 08:12, 25 November 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=655&amp;oldid=prev"/>
		<updated>2013-11-25T08:12:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 08:12, 25 November 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;&lt;/del&gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;&amp;lt;/span&amp;gt;&lt;/del&gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=244&amp;oldid=prev</id>
		<title>Eli Bishop at 23:17, 28 July 2013</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=244&amp;oldid=prev"/>
		<updated>2013-07-28T23:17:06Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left diff-editfont-monospace&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 23:17, 28 July 2013&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot; &gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt;−&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;lt;/&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a&lt;/del&gt;&amp;gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt;+&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;lt;/&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;span&lt;/ins&gt;&amp;gt;&amp;quot; (167:5).&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;td class='diff-marker'&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{:A_153_27}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
	<entry>
		<id>http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=243&amp;oldid=prev</id>
		<title>Eli Bishop: Created page with &quot;* (Granser at Good Mercy; Cambry; the crypt; &quot;Stoan&quot;; Greanvine) * Turned loose again by Goodparley, Riddley heads for Cambry. Along the way, he encounters Granser, Goodpa...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.errorbar.net/rw/w/index.php?title=Chapter_15&amp;diff=243&amp;oldid=prev"/>
		<updated>2013-07-28T23:16:26Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;* (Granser at Good Mercy; Cambry; the crypt; &amp;quot;Stoan&amp;quot;; Greanvine) * Turned loose again by Goodparley, Riddley heads for &lt;a href=&quot;/rw/Cambry&quot; title=&quot;Cambry&quot;&gt;Cambry&lt;/a&gt;. Along the way, he encounters Granser, Goodpa...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;* (Granser at Good Mercy; Cambry; the crypt; &amp;quot;Stoan&amp;quot;; Greanvine)&lt;br /&gt;
* Turned loose again by Goodparley, Riddley heads for [[Cambry]]. Along the way, he encounters Granser, Goodparley's former master, presumed dead but now working as a charcoal burner.&lt;br /&gt;
* Entering Cambry, Riddley and the dogs feel a mystical pull to the ruins of Canterbury Cathedral. For the first time since his unsuccessful tel, Riddley has a visionary experience—this time not of Eusa but of a female divinity, associated with fertility, night, and the stone ruins. Riddley makes up his first original story, about the secret life of stones. He also finds a mysterious carved face in the ruins, which he calls &amp;quot;Greanvine,&amp;quot; and which seems to be related somehow to some anti-Goodparley graffiti. A clue that Lissener may be in trouble (the return of the other half of the dog pack) sends him back toward Fork Stoan.&lt;br /&gt;
* Nearly all the &amp;quot;action&amp;quot; in the Cambry section takes place in Riddley's mind as he thinks back on recent events and free-associates on a flood of images. Unlike the other places he has visited, there seems to be no particular reason why he had to go there at this particular time; the things he finds do not advance the plot so much as realign his thoughts. In effect, by going to the geographic &amp;quot;{{Ix|senter}}&amp;quot; (as Cambry is called in [[Fools Circel 9wys]]), Riddley has &amp;quot;centered&amp;quot; himself in the meditative sense, clearing the mind to make room for insight. (Note that he appears to be the only human being in the town.) This also brings a new sense of equanimity: &amp;quot;&amp;lt;span class=&amp;quot;small-caps&amp;quot;&amp;gt;LOSE IT ... LET GO ... THE ONLYES POWER IS NO POWER&amp;lt;/a&amp;gt;&amp;quot; (167:5).&lt;br /&gt;
&lt;br /&gt;
{{:A_153_27}}&lt;br /&gt;
{{:A_154_27}}&lt;br /&gt;
{{:A_154_30}}&lt;br /&gt;
{{:A_155_3}}&lt;br /&gt;
{{:A_155_16}}&lt;br /&gt;
{{:A_158_33}}&lt;br /&gt;
{{:A_159_6}}&lt;br /&gt;
{{:A_159_28}}&lt;br /&gt;
{{:A_160_3}}&lt;br /&gt;
{{:A_160_12}}&lt;br /&gt;
{{:A_161_15}}&lt;br /&gt;
{{:A_162_26}}&lt;br /&gt;
{{:A_163_11}}&lt;br /&gt;
{{:A_164_12}}&lt;br /&gt;
{{:A_164_29}}&lt;br /&gt;
{{:A_165_18}}&lt;br /&gt;
{{:A_167_36}}&lt;br /&gt;
{{:A_168_16}}&lt;/div&gt;</summary>
		<author><name>Eli Bishop</name></author>
	</entry>
</feed>