Chapter 7

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  • (Riddley's scar)
  • Riddley is initiated into the role of connexion man and we see the first of the several duties that go with this job: serving as liaison between his community and the central government, the Ram. The two chief officials of the Ram have arrived to perform the Eusa show which takes place in Chapter 8.
  • (37:6) "the divvy roof"

Apparently a designated area for dividing up the day's hunting.

  • (37:21) "No rumpa no dum / No zantigen Eusa cum"

One of the more indecipherable pieces of ritual language in the book; derived from (in an earlier draft of the novel) "No trumpets, no drums, no dancing when Eusa comes." EE Rumpa elsewhere means a commotion or "rumpus."

A British greeting, from "what cheer" (i.e., "how's it going?"). In this case it's a more formal welcoming ceremony.

  • (38:14) "2 cuts hash and 50 rizlas each"

The other common currency besides iron: cannabis and cigarette papers (Rizla is the most popular British brand of rolling papers). It's not clear how the latter are manufactured in a pre-industrial setting.

(Ironically, Rizla is a word from Outland: Lacroix Fils was the original manufacturer, and riz = rice[paper], thus Riz La. Thanks to SF.)

  • (38:32) "looking a head"

Another pun due to Riddley's habit of splitting up words into smaller words: the connexion man looks ahead to the future, and one way to divine the future is by looking at heads.

  • (39:1) "the time for moving crowds is past .... You just cant have all of Inland for your forage groun no mor"

The conflict between hunter-gatherer groups and agriculture, alluded to earlier in the story of "Why the Dog Wont Show Its Eyes," seems to be the chief political issue of the day. Here, Goodparley is established early on as a cheerleader for centralized agricultural civilization.

Inland: see Places.

  • (41:6) "Now weare coming to the curse roads of it Erny now weare getting down to terpitation"

In a typical example of puns serving to convey the story under the story, "crossroads" and "interpretation" have both been given rather sinister connotations—the latter now resembles "trepidation" and "turpitude."

  • (43:3) "3 stroaks for Eusa"

One of many significant appearances of the number three. As shown in Chapter 16, adding one stroke changes the E to a Z.